The artist's childhood utopia, the playground, is one that still evokes treasured memories of an exciting place where his creativity was first cultivated, so it is of little surprise that this is the focus of his latest series of paintings in All That's Left Has Gone To Sleep. Dyn remembers the playground as a meeting place for new and old friends where adveture always waited, a time when life was much more simple and the lure of climbing ropes and slippery slides was a world only limited by his imagination.